CV & Publications

Mandy-Suzanne Wong

Education
  • 2012.  PhD - Musicology - University of California, Los Angeles (UCLA)
  • 2009.  Candidate in Philosophy - Musicology - UCLA
  • 2008.  MA Qual. - Music History and Literature - University of Southern California (USC)
  • 2005.  Graduate Diploma - Piano Performance - New England Conservatory of Music (NEC)
  • 2003.  MM - Piano Performance with Academic Honors - NEC
  • 2001.  BA - Music with Honors, Summa Cum Laude, Phi Beta Kappa - Wellesley College (WC)
  • 1997.  Honors Diploma, Magna Cum Laude - Miss Porter's School
  • 1995.  Honors Diploma, Bermuda High School

Publications

Forthcoming Publications
  •  "Decentering the Human in Sound Art and Corporeal Archaeology," forthcoming in The Routledge Companion to Sounding Art, Routledge Press.
  • “Corporeal Archaeology: Embodied Memory and Improvisation in Corregidora and Contemporary Music,” co-authored with Nina Sun Eidsheim, forthcoming in Sounding the Body: Improvisation, Representation, and Subjectivity, ed. by Gillian Siddall and Ellen Waterman, Duke University Press. 

Conference Presentations
  • 2013.  Society of Literature, Science, and the Arts - Creative Writers' Panel: Selections from Mammoth, a novel-in-progress co-authored with Joanna Demers.
  • 2013.  Society of Literature, Science, and the Arts: "Mammoth: Art, Extinction, Post-Naturalism," co-authored with Joanna Demers.
  • 2012.  Society of Literature, Science, and the Arts: "On Decay in Art," co-authored with Joanna Demers.
  • 2012.  American Comparative Literature Association: "Sound Objects: Empowerment and Abuse Via Musical Discourse."
  • 2011.  American Society for Aesthetics: “Hume and the Problems of Automobile Aesthetics”
    2010.  American Society for Aesthetics: “Hegel’s Ontology of Musical Sound” 
  • 2009.  Beyond the Centres: A Conference on Avant-garde Music and Aesthetics, Thessaloniki, Greece: “Sound Object Analysis” 
  • 2009.  College Music Society, Pacific Chapter: “Action, Composition – Morton Feldman and Physicality” 
  • 2009.  Musicology Graduate Student Conference, Harvard University: “An Argument for Reduced Listening as a Function of Memory” 
  • 2009.  Hawaii International Conference for the Arts and Humanities: “Sonic Materialism”

Awards and Fellowships
  • 2011.  Oxford Bibliographies Online Music Graduate Student Award 
  • 2011.  Dissertation Year Fellowship, UCLA
  • 2010.  Mellon Fellowship of Distinction, UCLA
  • 2009.  Student Paper Award, College Music Society (Pacific)
  • 2008.  Mellon Fellowship of Distinction, UCLA
  • 2003.  Merit Award and Scholarship, NEC
  • 2001.  Anne Louise Barrett Fellowship for Music Studies, WC
  • 2001.  Billings Prize for Music Studies, WC

Professional Organizations
  • Evental Aesthetics: Editor-in-Chief
  • American Musicological Society (Philosophy Interest Group)
  • American Society for Aesthetics
  • European Society for Aesthetics
  • American Comparative Literature Association 
  • Society of Literature, Science, and the Arts